[vc_row][vc_column][vc_column_text] [/vc_column_text][/vc_column][/vc_row][vc_row margin_bottom=”40″][vc_column width=”1/2″][vc_column_text]Lola provides character driven special effects and traditional visual effects for feature films and television.  The company is paving the way for a new level of story-telling with innovative visual effects: taking decades off Michael Douglas in “Ant-Man”(he could easily once again play the leads in Fatal Attraction and Basic Instinct), transforming Chris Evans into a 90-pound weakling for CAPTAIN AMERICA: THE FIRST AVENGER, twinning Armie Hammer as Tyler and Cameron Winklevoss in THE SOCIAL NETWORK, and “youthifying” Brad Pitt in THE CURIOUS CASE OF BENJAMIN BUTTON[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_column_text]BAFTA
Best Special Visual Effects – The Curious Case of Benjamin Button.  Pictured, Edson Williams (Lola Visual Effects), Emma Watson, Eric Barba (Digital Domain)[/vc_column_text][vc_column_text]Visual Effects Society (VES)
Outstanding Compositing in a Feature Motion Picture – Captain America: The First Avenger (Casey Allen, Trent Claus, Brian Hajek, and Cliff Welsh)[/vc_column_text][vc_column_text]Academy Award® Nomination
Best Special Visual Effects – The Lone Ranger.  Tim Alexander, Gary Brozenich, Edson Williams (Lola Visual Effects), and John Frazier[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]